Gloria mía
Gloria mía

My Gloria

Gloria mía

Is it possible to escape your past forever? Can ideals be betrayed without consequence? Can you fight for love, against everything and everyone? What is the path that leads our protagonist from a small village in Alicante to become a guerrilla fighting in the Colombian jungle, a debt collector in Madrid and an executive in a media group?

Everything kicks off after an absurd domestic incident involving some chickens, a blocked door and a fall from a rooftop with nasty consequences. During the convalescence, stuffed with pills to fight the pain, José Centella tells his life story to a friend and through an action-packed succession of events, the reader travels to the Colombian jungle, discovers the hidden bases of the guerrillas, is a witness to armed attacks on munitions dumps and summary executions for traitors to the cause, to passionate love and just as passionate jealousy, to urban guerrilla warfare, where the main weapon is seduction, and to a dramatic escape that makes it necessary to reinvent yourself and become someone else. But the ghosts of the past refuse to disappear and then return when they’re least expected.

Manuel Gutiérrez Aragón has written an entertaining and dramatic novel featuring a contemporary anti-hero who moves between the remote rain forest and the jungle of the boardroom, a guerrilla transformed into a businessman in a tale involving fat moneylenders and dodgy dealings in the world of cinema; but this is also a love story, with a beautiful guerrilla, the wife of a general, a chemist, a psychoanalyst and a step-daughter in the middle of a post-adolescent crisis; a novel of ideas about idealists, dogmatic followers and traitors of a cause, and of themselves.

«The vivid portrayal of Centella´s character manages to achieve that he comes across as neither disillusioned nor remorseful to the reader but instead seems to be a survivor who embraces his work as a debt collector and his life in business with the same radicalism with which he embraces love, and with which when faced, as Kierkegaard has said, with “the clamor of war”, he once embraced arms.» (Iñaki Ezkerra. El Correo Español).

«A novel with a contemporary antihero who goes from the remote rainforest to the business jungle.»(El Progreso).

«It is almost a monologue that goes through his life trying in some way to explain it. A story told swiftly and with agility, and with something key: intrigues for the reader. This novel will trap you... Pace and action proceed without pause, it is the furthest from a static life that you could find.» (Antonio Garrido, Cuadernos del Sur).


SERIESNarrativas hispánicas
Manuel Gutiérrez Aragón

Manuel Gutiérrez Aragón

Manuel Gutiérrez Aragón (Torrelavega, Cantabria, 1942) joined the School of Cinema in Madrid in 1962, at the same time as he was studying Philosophy and Letters. His first feature film was Habla, mudita (1973), produced by Elías Querejeta and winner of the Critics’ Prize at the Berlin Film Festival. Among his best-known films are Camada negra (1977), Golden Bear for Best Director at the Berlin Film Festival; Maravillas (1980); Demonios en el jardín (1982), Critics’ Prize at the Moscow Film Festival and Donatello Prize from the Academia de Cine Italiana; La mitad del cielo (1986), Golden Shell at the San Sebastian Film Festival, all produced by Luis Megino. He has won the Fotogramas de Plata Prize for Best Film four times. In 1992, he produced the TV series El Quijote, to public acclaim and with the recognition of the Grand Prize at the Cannes Television Festival. The series was later followed by El Caballero don Quijote (2002), winner at the Venice Festival. He received the Premio Ondas for Cosas que dejé en La Habana, produced by Gerardo Herrero. In 2003 he was chosen as a member of the Real Academia de Bellas Artes de San Fernando, and was given the National Cinema Prize in 2005. He has also directed operas and plays. His most recent film was Todos estamos invitados (2008), which won the Jury Prize at the Malaga Film Festival. He recently announced his retirement from filmmaking.